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Monochrome Madness 33

dsc_8847-e2_wbIt’s fall here. Leaves are getting colorful before falling down and making the street slippery.  Mist is able to give landscapes a certain dreamy and unreal atmosphere. Having these ideas in mind, I picked this photo from may archive. It’s taken at the beach in Belgium 3 years ago in the evening hours of a hot and sunny summer day. It is one of the passages to the beach.

Photography is literally painting with light. Different light situations result in different color moods in the photos. Although post processing is quite easy nowadays, compared to the situation back in film days, you can’t modify the ambience and the mood freely. You still depend on the natural light conditions and have to keep the impact on the final photo  in mind.

For this photo I have had a low standing sun in my back to the right giving me long shadows and wonderful enlightened dune grass. The sky in the background was covers slightly with fleecy cloud. The slightly overcasted sky gave me distinct, but not hard, shadows. Combined with the small field of depth and the decreasing grass in the background I got a nice looking evening photo of the dune with a feeling of great depth.

But, this is my contribution to Leanne Cole’s Monochrome Madness. Thus I took the photo back to the lab and processed it again. Because of the already existing mood, I felt, a slightly overexposed processing (called highkey) would perfectly support this mood and here we are.

I used MacPhun’s Tonality Pro for this photo. The base was a preset called “overexposed” from the Base-Group of presets and from that starting point I modified the settings, to get my final image. I hope, you like it!

Take care!